John Peel Theatre
The Little Theatre at the Heart of Wigton
____________________________
Our Next Production:
A Midsummers Night's Dream
Tickets available online
or by phoning 01697 424624
____________________________
President: Melvyn Bragg
____________________________
Our Facilities:
Proscenium arch theatre
90 raked seats
Wheelchair access
Induction loop
Licensed bar
Real coffee
Ice cream & snacks
____________________________
Registered Charity No: 1178881
History of the Building
The theatre building was built in 1884 and completed in 1885. It was built as a barracks for the Salvation Army corps in Wigton. It was commissioned to be a 'plain neat building (all architectural display being dispensed with) suitable for the holding of meetings similar to those in vogue in the Salvation Army.'While still a Salvation Army barracks in 1937, the building was closed for 'Spring cleaning' and went through a major interior redecoration, to which all the members contributed.
Wigton Theatre Club was formed in September 1952 by Mr Brogden, the head of Wigton Secondary School. In January 1953, they performed Yes and No, in the school hall. It spent its first ten years putting on plays (usually four a year) in the Secondary School hall, then the Parish Rooms.
In 1964 Redmayne’s bought the current theatre building from the Salvation Army, and rented it to the theatre club, giving them substantial help in converting it to a theatre. When the land around the theatre was to be redeveloped in 1988 the club purchased the building in order to ensure its continued use as a theatre.
-
Old Wigton (John Peel Theatre visible at the top of the photo)
-
An early picture of the building interior
-
Original Script from Wigton Theatre Club's first production
-
The cast of the first Wigton Theatre Club production, 'Yes and No'
-
Page from Redmayne's in-house magazine, 1965
-
The John Peel Theatre in 1965
-
Article in local Cumbrian magazine by Joe Grainger, 1992
-
The exterior of the John Peel Theatre today
The first time I ever saw theatre in Wigton, it was performed by people from our local community. I’m pretty sure it was upstairs in the old Parish Rooms. Wherever it was, I thought it was terrific. And looking back it added greatly to the richness of what the town had to offer.
Melvyn Bragg
Each successive generation of Wigton Theatre Club members has done its best to improve the facilities for both audience and players, but some dreams were never realised. When the club bought the strip of land next to the theatre, they commissioned plans for an ambitious extension incorporating a large foyer and bar. It proved too expensive, and the work was never carried out.
The current committee, like its predecessors, also wanted to improve the building. When we put on an energetic and youthful production of Toad of Toad Hall in May 2014, one member of our appreciative audience was Councillor Barbara Cannon, the deputy leader of Allerdale. Chatting to her after the show I mentioned that we would really like to improve the theatre by putting in a new foyer and that we had an economical way of doing this, by removing two rows of seats and building a new partition. Although this would be a lot cheaper than building on an extension, it still seemed to us then a bit of an impossible dream. Barbara's offer of financial help, and Alan Smith's subsequent visit and offer of a £5000 grant started the ball rolling. It galvanised us and gave us the incentive and confidence to apply to other funding bodies, as well as working to raise more money through our productions.
The current committee, like its predecessors, also wanted to improve the building. When we put on an energetic and youthful production of Toad of Toad Hall in May 2014, one member of our appreciative audience was Councillor Barbara Cannon, the deputy leader of Allerdale. Chatting to her after the show I mentioned that we would really like to improve the theatre by putting in a new foyer and that we had an economical way of doing this, by removing two rows of seats and building a new partition. Although this would be a lot cheaper than building on an extension, it still seemed to us then a bit of an impossible dream. Barbara's offer of financial help, and Alan Smith's subsequent visit and offer of a £5000 grant started the ball rolling. It galvanised us and gave us the incentive and confidence to apply to other funding bodies, as well as working to raise more money through our productions.